Grew up in rural Pennsylvania, a middle child and classical pianist. Burned out just prior to auditioning for conservatory study. Joined a community theater performing in the round in a renovated barn. Decided to pursue a career dancing in the work of Bob Fosse. Turned eighteen and ran away to that paradise of Westchester, Sarah Lawrence, where he had the best of the bucolic and the metropolitan. Reinvented himself as a triple threat. Met Michael Levinton. Wore jazz pants and had no turn out. Met Christopher Williams. Spent a summer on an Equity contract appearing as an
Aaron Mattocks
Jeremy Holmes is originally from Columbus, Ohio and is a graduate of Ohio University's School of Theater. Since moving to New York, he has acted in numerous productions, primarily with Yankee Rep Theater. He has also danced for Stefa Zawerucha at Danspace Project. Jeremy has had the unique pleasure of performing for Ursula Eagly since 2006. These collaborations have been Jeremy's strangest and most rewarding artistic ventures.
He thanks Ursula for her wild imagination.
Jeremy Holmes
Abby Harris Holmes grew up in Baltimore, Maryland and graduated from the Honors Tutorial College of Ohio University in Athens, OH. She lives happily in the East Village and works at Danspace Project as Program Manager. She has enjoyed being in Ursula Eagly’s work since 2005. Abby finds herself constantly amazed by Ursula’s brain and will follow her blindly and faithfully into any performance situation.
Abby Harris Holmes
Old Lady in a Wheelchair. Disillusioned by casting limitations of queerness in traditional theater. Committed himself to dance as pure art of self expression. Met Kathy Westwater. Studied with Sara Rudner. Created juvenile dances about identity. Graduated. Left dance. Made money. Traveled. Came back to dance. Runs into Christopher Williams. Dances for Christopher Williams. Makes theater of Euripedes with Michael Levinton. Runs into Kathy Westwater. Dances for Kathy Westwater. Meets Ursula Eagly. Dances for Ursula Eagly. Meets Annie-B Parson and OtherShore. Dances for Annie-B Parson and OtherShore. Makes theater of Eugene O'Neill with Michael Levinton. Enjoys the differences and samenesses of experimental dance and theater. Blurs any distinctions there may yet be in the performance of these forms. Gets inspired by people creating absolutely unique things of non-pre-existence. Gives every capable part of himself to others to be fashioned into challenging things of mystery, complexity and beauty. Has not once appeared in the work of Bob Fosse.
